Technical articles

Testing a cup internal glaze for thermal compatibility

Cups need to withstand the thermal shock of having  hot liquid poured in over and over again. This places several requirements on the clay body and glaze coating, one of which is the need for the internal glaze and body to have compatible thermal expansion...

read more

Ball Clay Sieve Residue

 Ball clays are an important constituent of my custom porcelain bodies. They influence the throwing characteristcs and exert a powerful influence on crystal growth. They tend to be minimally refined whole sediments containing coarse particles that have no place in a...

read more

Testing a Floating Blue Glaze

Recently, I was asked if I could formulate a glaze based on a recipe known as 'Old Forge B'. It is a type of glaze known as 'Floating Blue' so called because a blue opalescent layer of colour appears to float upon the glaze below. The mechanism is a high boron content...

read more

Preparing glazes for application by brushing and dipping

Glazes are applied by a variety of means, each of which requires a different formulation. This article covers brushing and dipping. Additives which give the required chazracteristics include gums, flocculants and deflocculants. Parameters relating to glaze thickness...

read more

Quantifying glaze application thickness

A glaze is a suspension of solids in water. Here are some parameters that are useful when discussing the glaze and its application. Glaze coat thickness The effect a glaze gives depends on how thickly it is applied. For some glazes the effect is dramatic and so it is...

read more

Four Glaze Additives

Four additives that can transform the way you glazeGlaze formulations differ depending on how they are intended to be applied. Dipping and brushing have different requirements and single coating glazes differ from those intended to be multi-layered. Much of the...

read more

Deflocculation as an alternative to calcining zinc oxide

Zinc oxide, the essential component of crystalline glazes is the source of one particular type of problem that can drive the potter to distraction. This is the familiar situation: a crystalline glaze recipe is mixed and enough water added to achieve a brushing...

read more